天国与地狱

在权藤今吾（三船敏郎 Toshiro Mifune）家里，举行了一场关于民族鞋业的董事会议，讨论关于新鞋的质量问题。权藤发表的意见慷慨激昂，他觉得不应该只顾降低成本提高利润，而忽视了鞋子本身的质量。此番言论显然跟其他人急功近利的理念大相径庭，因此其他人合谋决定罢黜他的董事会职位，由某个听话的傀儡顶替。当晚，权藤司机的儿子突然遭到绑架，绑匪以为他是权藤的儿子，因此向权藤勒索3000万元赎金。面对妻子（香川京子 Kyôko Kagawa 饰）的劝解，深陷困境的权藤只得被迫就范，结果犯人用障眼法，避开了探长（仲代达矢 Tatsuya Nakadai 饰）的耳目，成功取走现金，丝毫不留痕迹。破财的权藤还要面临公司和债主的双重威逼。而警方则在绑架地发现了一对因吸食毒品死亡的恋人。然而，这还只是罪犯阴谋的开始……©豆瓣

我们的世界

十岁的女孩李善（崔秀英饰）因为家境贫穷而在学校遭到了以女孩宝拉（李秀仁饰）为首的女生团体的孤立和排挤。在放暑假的前一天，李善在放学后的学校走廊遇见了即将在新学期转学来的女生韩智雅（薛惠饰），两个女孩虽然刚刚相识不久，却迅速成为了好朋友，李善更是邀请韩智雅来自己家里居住。韩智雅和奶奶过着相依为命的生活，两人住在豪华的大房子里，虽然拥有着充足的零花钱和时髦的手机，但韩智雅显然并不享受这种孤独的生活，和李善一起奔跑在大街小巷里的日子成为了她最美好的回忆。然而，没过多久，两个女孩的友谊便出现了细微的裂痕，这裂痕在韩智雅认识宝拉之后有愈演愈烈之势。新学期的第一天，当韩智雅对李善的招呼视而不见时，李善心中宝贵的东西碎裂了。

盗墓贼阴时起棺，不慎碰到女尸，引发诡异尸变#僵尸翻生

　　茅山道士钱真人（钟发 饰）与师弟吴真人（钱月笙 饰）平素不和，在道术上互争高低。帮派人物九叔（谷峰 饰）请到两人为亲弟礼葬，钱真人携小徒阿发（吕方 饰）借口舌之功夺标，吴真人心有不服，遂于路对尸体施茅山道术，促其僵尸化来报复二人。                                                                    　　钱真人遏制尸变之际，盗墓贼旺财（钱小豪 饰）惊动大帅新下葬的九姨太（王小凤 饰）尸身，尸体在雷电交加之夜复活，与旺财两体一身，行动一致，旺财无法摆脱半尸，巧遇钱真人求助，钱真人无计可施。三人两尸一行暂避一宾馆内，岂料吴真人尾随赶到，大帅亦同军队入驻，互有利害关系的一群人让形势逐渐失控。

典型的美式家庭引发的悲剧，可悲#美式犯罪

　　American Murderer is based on the true story of Jason Derek Brown - a charismatic con man turned party king who bankrolls his luxurious lifestyle through a series of scams. When his funds run low and his past catches up with him, he plots his most elaborate scheme yet and, in the process, becomes the FBI’s most unlikely - and elusive - top ten fugitive.

斯诺克天津国锦赛32进16加里·威尔逊5-6丁俊晖 20231107

大宋绯闻录

《大宋绯闻录》讲述了现代女强人“潘潇潇”因为一场电梯事故意外穿越到大宋水浒世界，化身“潘金莲”，遇到与现代男友张赫长相相似的武松回家探亲，误认为是张赫穿越而来撞坏脑子失去记忆，为帮助男友恢复记忆并顺利回到现代，潘潇潇依靠现代人的智慧，与西门庆、王婆、武大郎等水浒中的经典人物斗智周旋，从而引发的一系列啼笑皆非的故事。

小猪佩奇过大年

阿里影业与英国Entertainment One合拍，讲述汤圆、饺子和爸爸妈妈生活在一个温暖的家庭里。除夕这天，爷爷奶奶姥姥姥爷与他们相聚。大家体验了传统习俗，经历了很多意想不到的事情。他们和佩奇乔治一样，每经历一件事情，就会让他们更加热爱彼此，热爱家人，热爱生活。

大脚女婿

讲述了90年代“老厦门”特色农村题材，来自农村的向尙非独自到县城打拼，阴差阳错之下和新民镇的周舒彤结了婚，成了上门女婿，并在周舒彤的引荐下到了镇上酒厂工作，通过自己之前的打工经验和独特见解，帮助酒厂提高了品牌和销量，获得了所有人的认可。

次第花开

暂无简介

马隆布拉[电影解说]

This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

棉尾兔

影片讲述Kenzaburo(中川雅也饰)在妻子Akiko(木村多江饰)去世后，带着儿子(锦户亮饰)离开日本，前往《彼得兔》作者碧翠丝·波特的故乡英格兰湖区旅行，因为Akiko儿时很喜欢《彼得兔》的故事，她一直希望能和Kenzaburo一起去英格兰湖区旅行。Kenzaburo必须要实现Akiko的遗愿，将她的骨灰撒到当地的湖中。Kenzaburo与儿子发生争执后，最终独自前往了英格兰湖区。在经过噩梦般的入境过程，Kenzaburo最终遇到了约翰(希德饰)和他的女儿玛丽(巴克利饰)，他们之间产生了浓厚的友谊，而Kenzaburo也意识到自己需要和儿子一起追寻这段象征性的旅程，并最终揭开一个长久以来的秘密。

熊庆来

熊庆来先生作为一个伟大的数学家，在弥留之际，回忆起了他的一生，在这一生之中，他为数学致力功耕，不但自己有极高的造诣，又培养出了华罗庚等数学大家。本片记录了他的这一生。